March for Our Lives

Yesterday I walked and drew alongside thousands of children, teenagers, their parents, other adults and elderly folks during March for Our Lives. 

3.23.18 March for Our Lives.jpg

I walked from my studio across the Morrison Bridge, over to SW 6th and Alder where I found the crowd. As I got within a few blocks from the march I could really feel the energy. It felt sad and angry, positive and hopeful at the same time. There was a marching band that was stopped at the corner getting everyone dancing and smiling. It was raining, so I tucked under the overhang to make my first drawing.

3.23.18 Arms Are for Hugging.jpg

The crowds poured down the street toward Pioneer Courthouse Square, where there would be speeches and a free concert by Portugal. The Man. This little boy with the 'arms are for hugging' sign really melted my heart.

3.23.18 Rage Against the Machine Guns.jpg

The band moved on, and I trotted alongside them in the rain while I drew. I was NOT looking where I was going, but thankfully folks seemed to just stream around me. 

3.23.18 Vote Em Out.jpg

While I was doing the drawing above, the sweetest elderly woman saw me drawing, burst out "I LOVE YOU!" and dashed over to tell me she is also an artist and a poet and to encourage me to GET SEEN! <3 

3.23.18 No More.jpg

I paused again under the awning at Nordstrom on Broadway while people gathered in the square. The speeches began, and Portugal. The Man started performing, so I finished the above drawing, scurried over to the stairs outside Starbucks and wedged myself between two groups of teens to draw the performance.

3.23.18 Portugal the man.jpg

I caught 'Feel it Still,' (a favorite of mine at the moment) and their cover of Bob Dylan's 'The Times They Are A Changin,' which made me tear up a bit as I drew. As dismal as things seem politically right now, it was good to feel the solidarity and heartening to see such a massive turnout of future and current voters who are showing up to create a world where everyone feels safe. 

Presidential Debate

Here are a couple of portraits I drew live while watching this evening's Presidential Debate.

M. Ward at Revolution Hall

I'm slowly getting back into the swing of things after an intense few months of traveling (and moving). This summer we spent some time with my parents on Cape Cod, visited friends in Boston, then flew to Westport Ireland. Shortly after returning from Ireland, we set out on a cross-country drive to Portland OR, where we now reside. Leaving Brooklyn was a difficult decision and continues to be an adjustment, but there's a lot to love about Portland. 

 Portland Japanese Garden © Carly Larsson 2016

Portland Japanese Garden © Carly Larsson 2016

Last weekend was a milestone birthday for me, so Saturday we checked out the Portland Japanese Garden and had dinner at Bamboo Sushi (amazing), then saw M. Ward perform at Revolution Hall on Sunday. Above are the two drawings I got in at the garden before they told me I could not use ink or COLORS? I was going to buy a membership because the BBG's Japanese Garden was one of my absolute favorite places to draw, but this was a huge bummer so I didn't. 

 Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Sunday we saw M. Ward at Revolution Hall, which is in an old high school auditorium (formerly Washington High School, built in 1906). There was no photography per the request of the artist, and it was really nice to be at a show where everyone was present, watching the show, and nobody was on their phones the whole time (honestly, when does anyone actually watch those iPhone videos they spend entire concerts filming?) Luckily, drawing was permitted, *unlike* at the aforementioned garden (can you tell I'm not over it?) A band called Telekinesis, pictured above, opened. They had maracas and got people dancing, which made drawing them great way to warm up.  

 M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

When M. Ward came on I was surprised how different he sounded live than on his albums. Not in a bad way - it still sounded like him - more in the sense that it felt like he was playing around, improvising and trying new things. I like that. 

 M. Ward &amp; his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

I was happy he played some older favorites, like Chinese Translation from Post-War (drawing below). He also played a few covers, including Frank Sinatra, Buddy Holly, and John Fahey. I was improvising too, since it was pitch black in there and I couldn't see what I was doing. It was a pleasant surprise when the lights came on and the colors I was blindly grabbing out of my box of pastels were similar to the colors of the lights!

 M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

He is an unbelievable guitarist and was joined by some equally talented musicians, all from Portland. There was a lot of focus on the instrumentals and a few amazing solos. I love how he is able to incorporate influences from so many decades and genres, making them his own. That's something I aim to do in my own work. After all, it was Picasso who told us that "good artists borrow, great artists steal." 

 M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

 Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Washington Post Feature

Yesterday the Washington Post published "The most powerful art from the #BlackLivesMatter movement, three years in" by Victoria A. Fogg, a collection of artwork to commemorate the 3rd anniversary of the Black Lives Matter movement. I'm feeling honored to have had a drawing of mine included in the piece, and to be up there with some really amazing artists! Below are a couple of screenshots from the article:

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 Screenshot from the Washington Post article  "The most powerful art from the #BlackLivesMatter movement, three years in"  by Victoria A. Fogg&nbsp;

Screenshot from the Washington Post article "The most powerful art from the #BlackLivesMatter movement, three years in" by Victoria A. Fogg 

My piece was done on location in NYC's Foley Square during the 2014 Eric Garner Protest. I attended with friends and fellow artists Audrey Hawkins, Evan Turk and Chris Brody. See my blog post on that day here, and don't miss Audrey and Evan's powerful drawings.

Best Dressed at the Met

Getting back into the swing of things after the holidays has proven rather difficult. Yesterday I escaped to the Met for some inspiration & people watching with my friend Audrey. I loved this girl's outfit - double pom pom hat! Oversized fluffy coat! Socks over tights! Yes! I haven't drawn with markers in a while, so it was a fun opportunity to play. 

 Double pom-pom hat girl © Carly Larsson 2015&nbsp;

Double pom-pom hat girl © Carly Larsson 2015 

Berkshires Weekend Pt. 2

On Sunday we ordered room service and sprawled out in bed with our breakfast and the NY Times.  Then I started the day with a selfie in my plushy Red Lion Inn bathrobe. 

 Sunday morning selfie © Carly Larsson 2015

Sunday morning selfie © Carly Larsson 2015

I was determined to draw some farm animals, so we checked out of the inn and set off for another adventurous day of driving aimlessly down winding back roads. 

 Sheep! © Carly Larsson 2015

Sheep! © Carly Larsson 2015

We happened upon these sheep grazing on a hill & pulled over so I could make a quick drawing. Even though the area was pretty desolate, the people in the nearby house did not seem to appreciate us parking out front, so I hurried to capture the fluffy little dudes and we were soon on our way. Coming from NYC where people  live in such close quarters, I have to laugh at how protective country folk can be of their sprawling properties.

 Horses huddling for warmth © Carly Larsson 2015

Horses huddling for warmth © Carly Larsson 2015

Next, we found these horses huddled together for warmth in a picturesque field lined with trees and some blue mountains off in the distance. They were all standing together in a clump (probably for warmth) which made them hard to draw or photograph, so, hungry and cold, we headed back to Lee, MA for brunch at our new favorite cafe - appropriately named the Starving Artist Creperie.

 &nbsp;© Carly Larsson 2015

 © Carly Larsson 2015

 &nbsp;Enjoying live music at the Starving Artist Creperie © Carly Larsson 2015

 Enjoying live music at the Starving Artist Creperie © Carly Larsson 2015

We were pleased to discover that there was a musician playing during Sunday brunch. This little kid in his pom-pom monkey hat and his baby sister (in a matching hat) seemed pretty excited about it themselves. 

 Guy with commendable mustache getting some work done © Carly Larsson 2015

Guy with commendable mustache getting some work done © Carly Larsson 2015

 Grey reading the NY Times on his phone while I take too long to finish my lunch because of drawing everyone © Carly Larsson 2015

Grey reading the NY Times on his phone while I take too long to finish my lunch because of drawing everyone © Carly Larsson 2015

Then it was back to the road, because we needed to find some more lively animals! Luckily, it didn't take too long to stumble upon a dairy farm. The cows were so cute and curious! 

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I got a little nervous, as one by one they approached the gate and started poking their heads out like they were trying to make a break for it.  They made quite the ruckus, mooing and ramming themselves into the gate. Fearing an angry farmer would soon make an appearance, we set out in search of some more animated horses than the duds we'd encountered earlier. 

These guys fit the bill! It was freezing, so we pulled over and I made a few paintings from the passenger's seat.  While I was working on this one, a cop came by and peered quizzically in the window. Once he realized what I was doing, he lightened up and asked us to pull farther to the side of the "busy road." Again, coming from NYC, I couldn't help laughing - in the past fifteen minutes, we had seen no more than one truck amble by. 

 Grazing horses - much livelier than the duds in the other field © Carly Larsson 2015

Grazing horses - much livelier than the duds in the other field © Carly Larsson 2015

Berkshires Weekend Pt. 1

The weekend after Thanksgiving, Grey & I drove up to the Berkshires to see our friends Ted & Betsy give a reading from their new book, How to Babysit a Leopard: and Other True Stories from Our Travels Across Six Continents at the Norman Rockwell Museum in Stockbridge MA. I'd never been to the Norman Rockwell Museum, and it was a real treat. 

 Norman Rockwell's studio in Stockbridge, MA. © Carly Larsson 2015&nbsp;

Norman Rockwell's studio in Stockbridge, MA. © Carly Larsson 2015 

After the reading, we ventured outside to check out Rockwell's studio (above). It's closed after October, but I snuck in a quick drawing of the exterior. It was a moody, grey day with soft diffused light. The deep azure mountains were blanketed in thick sheets of fog. I could get used to a studio with that view. We set out to capture some landscapes.

 Landscape in the Berkshires © Carly Larsson 2015

Landscape in the Berkshires © Carly Larsson 2015

Grey had a vision for a photograph of a dilapidated barn in the woods, so for the rest of the afternoon, we went barn hunting. Driving aimlessly down winding country roads, we'd pull over every time we found one. I was freezing, so all these drawings were made from the passenger's seat with the heat blasting. 

western massachusetts barn
collapsed barn western ma

Grey deemed the barn (above, left) too dilapidated, having collapsed completely. 

barn western mass

This barn was not dilapidated enough.

barn western ma

This barn, leaning and sagging at angles I'm sure were not intentional, was juuuust right.

Front Row Society x Carly Larsson

Last September I was commissioned by Berlin-based Front Row Society to design and illustrate a fall/winter collection of 10 scarves. When I got the job, I had been spending a lot of time drawing in the Brooklyn Botanic Garden's Japanese Hill and Pond Garden. I was feeling really inspired by Japanese art & culture. So I started researching winter activities in Japan. I found out about these amazing ice festivals they have, where massive, intricate ice sculptures are carved and illuminated with multi-colored lights. I decided this would be the theme for my collection. The colored lights inspired the color palette, while the sculptures of symbolic animals informed each design. Here are some of my early thumbnails:

 © Carly Larsson 2014.

© Carly Larsson 2014.

Below is the crab design in its final form.  Click here to view the final illustrations + lookbook (shot by Grey Stanton), and here shop the collection.

 © Grey Stanton 2015

© Grey Stanton 2015