Yesterday the Washington Post published "The most powerful art from the #BlackLivesMatter movement, three years in" by Victoria A. Fogg, a collection of artwork to commemorate the 3rd anniversary of the Black Lives Matter movement. I'm feeling honored to have had a drawing of mine included in the piece, and to be up there with some really amazing artists! Below are a couple of screenshots from the article:
On Sunday we ordered room service and sprawled out in bed with our breakfast and the NY Times. Then I started the day with a selfie in my plushy Red Lion Inn bathrobe.
I was determined to draw some farm animals, so we checked out of the inn and set off for another adventurous day of driving aimlessly down winding back roads.
We happened upon these sheep grazing on a hill & pulled over so I could make a quick drawing. Even though the area was pretty desolate, the people in the nearby house did not seem to appreciate us parking out front, so I hurried to capture the fluffy little dudes and we were soon on our way. Coming from NYC where people live in such close quarters, I have to laugh at how protective country folk can be of their sprawling properties.
Next, we found these horses huddled together for warmth in a picturesque field lined with trees and some blue mountains off in the distance. They were all standing together in a clump (probably for warmth) which made them hard to draw or photograph, so, hungry and cold, we headed back to Lee, MA for brunch at our new favorite cafe - appropriately named the Starving Artist Creperie.
We were pleased to discover that there was a musician playing during Sunday brunch. This little kid in his pom-pom monkey hat and his baby sister (in a matching hat) seemed pretty excited about it themselves.
Then it was back to the road, because we needed to find some more lively animals! Luckily, it didn't take too long to stumble upon a dairy farm. The cows were so cute and curious!
I got a little nervous, as one by one they approached the gate and started poking their heads out like they were trying to make a break for it. They made quite the ruckus, mooing and ramming themselves into the gate. Fearing an angry farmer would soon make an appearance, we set out in search of some more animated horses than the duds we'd encountered earlier.
These guys fit the bill! It was freezing, so we pulled over and I made a few paintings from the passenger's seat. While I was working on this one, a cop came by and peered quizzically in the window. Once he realized what I was doing, he lightened up and asked us to pull farther to the side of the "busy road." Again, coming from NYC, I couldn't help laughing - in the past fifteen minutes, we had seen no more than one truck amble by.
Last December I ventured to Rockefeller Center with Audrey Hawkins to draw the skaters in the midst of the Manhattan Christmas melee. Unlike this year's balmy December weather (reported high of 66˙ today in NYC) last year was much less forgiving. The drawing below was completed in a race against time as my fingers slowly froze, and tourists jostled for a prime selfie spot in front of the tree.
Once I got the money shot, it was way too cold to continue drawing outside. We ventured downstairs, to an area outside the rink's "VIP Hot Chocolate Lounge," where there are tables - and, most importantly, a Starbucks.
It was fun to watch and draw the skaters bumble and tumble around. Most were fairly inexperienced, with the occasional seasoned skater twirling and leaping through the crowd.
I was called for jury duty the first week of July. I was displeased, but instead of complaining - OK, along with complaining - I saw the people-watching opportunity for what it was. I grabbed a sketchbook and some pencils and arrived at the Supreme Court in Downtown Brooklyn promptly at 8 AM. An hour later, people were still trickling in, and nothing was happening.
Essentially, it was hours upon hours of waiting in "central jury" before being shown a cheesy informational film about how AWESOME and FUN jury duty really is. Most people had something to read or were on their phones and tablets, which made secretively drawing them a breeze. When people notice you drawing them they generally either a) get really uncomfortable and glare at you or b) act like they don't notice and start posing.
Next we were ushered into the courtroom for a few more hours of waiting. Except this time, there were no books, beverages (i.e coffee) or recording devices allowed, and all cell phones/tablets had to be shut off. This is when the juror's body language (boredom and fatigue) started to get really good. I wish I had drawn more during this part, but wasn't sure if my pencil counted as a recording device. The police assigned to courtroom security were NOT the friendliest, and I was pretty intimidated...
The guy above gave zero f**ks. He would nap for a while, pop his head up briefly, look around, then resume napping. He also was an amazing shape and a lot of fun to draw.
I think the body language of the guy below pretty much sums up the entire jury duty experience:
Late post today - deadline tomorrow! Here's a painting I did a couple Sundays ago at the Brooklyn Botanic Garden.
I've been spending a lot of time drawing in Fort Greene Park lately; the fall weather has been lovely and there are so many good characters, colorful trees and funny dogs to draw. Here are some quick studies I did while there a few days ago.
One of my favorite places to go draw lately has been Brooklyn Bridge Park in DUMBO. It's a short train ride from my apartment, there are great views of the bridges and the city, there's a carousel, lots of people, etc. etc. Here are a couple of drawings from one of the first times I drew there in August.
This is Jane's Carousel, formerly known as the Idora Park Merry-Go-Round, created in 1922 by the Philadelphia Toboggan Company and originally installed in Youngstown Ohio. The carousel features 3 rows of 48 hand-carved and painted wooden horses as well as 2 chariots. When Idora Park closed in 1984 the carousel was sold at auction and brought to Brooklyn for restoration. It opened at its new location on the East River in Brooklyn September 16, 2011.
This past weekend was the annual DUMBO Arts Festival in Brooklyn. After 4 years living in Brooklyn and never having gone, I decided it was due time to check it out.
There was so much to look at and so many people everywhere that it was a bit overwhelming at first, and I must admit I spent more time wandering around with my mouth hanging open than actually drawing. One of the first things I stopped to see was "Circle Circus" by Saul Schisler, an interactive sculpture consisting of an oversized spirograph accompanied by giant pencils. Both kids and adults were having a blast trying to operate the mechanism, and I heard a few people say they had a difficult time using the giant pencil.
While I was drawing one guy told me he'd be more impressed if I was using a giant pencil. Unfortunately, I didn't have a large enough sketchbook for that (and also, random man, this may be shocking- but I was not there to impress you).
After watching and drawing the Circle Circus for a while, my friend Betsy was hungry so we decided to check out the many food trucks lining Water Street. The lines were pretty long, so instead of waiting I snacked on some almonds and drew. The drawing above is of the Eat Morris truck which serves fancy grilled cheese. It smelled awesome and I learned later that they do gluten-free too.
Next stop was the Jumbo DUMBO Puppy, a huge sculpture by Shinji Murakami made out of cardboard boxes! To be perfectly honest, I wasn't 100% sold on going to the festival until I saw the Jumbo DUMBO Puppy online. It just seemed so goofy, and how can you NOT want to go draw an enormous puppy made out of cardboard boxes!? I was very tempted to draw on it, but alas it was not an interactive sculpture and I figured that would be frowned upon.
Last stop was Reflection / Kolonihavehus by Tom Fruin and CoreAct. This one could be experienced both as a sculpture and a piece of performance art; there were 5 performances inside of it. The audience was invited to wander in and out of the piece as they liked. It drew a lot of attention as it was right on the main walkway of the Brooklyn Bridge Park. Overall it was a good time - of all places I've drawn in public, I seemed to attract the least weird looks at the DUMBO Arts Festival :P Can't wait to go back next year!