M. Ward at Revolution Hall

I'm slowly getting back into the swing of things after an intense few months of traveling (and moving). This summer we spent some time with my parents on Cape Cod, visited friends in Boston, then flew to Westport Ireland. Shortly after returning from Ireland, we set out on a cross-country drive to Portland OR, where we now reside. Leaving Brooklyn was a difficult decision and continues to be an adjustment, but there's a lot to love about Portland. 

Portland Japanese Garden © Carly Larsson 2016

Portland Japanese Garden © Carly Larsson 2016

Last weekend was a milestone birthday for me, so Saturday we checked out the Portland Japanese Garden and had dinner at Bamboo Sushi (amazing), then saw M. Ward perform at Revolution Hall on Sunday. Above are the two drawings I got in at the garden before they told me I could not use ink or COLORS? I was going to buy a membership because the BBG's Japanese Garden was one of my absolute favorite places to draw, but this was a huge bummer so I didn't. 

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Sunday we saw M. Ward at Revolution Hall, which is in an old high school auditorium (formerly Washington High School, built in 1906). There was no photography per the request of the artist, and it was really nice to be at a show where everyone was present, watching the show, and nobody was on their phones the whole time (honestly, when does anyone actually watch those iPhone videos they spend entire concerts filming?) Luckily, drawing was permitted, *unlike* at the aforementioned garden (can you tell I'm not over it?) A band called Telekinesis, pictured above, opened. They had maracas and got people dancing, which made drawing them great way to warm up.  

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

When M. Ward came on I was surprised how different he sounded live than on his albums. Not in a bad way - it still sounded like him - more in the sense that it felt like he was playing around, improvising and trying new things. I like that. 

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

I was happy he played some older favorites, like Chinese Translation from Post-War (drawing below). He also played a few covers, including Frank Sinatra, Buddy Holly, and John Fahey. I was improvising too, since it was pitch black in there and I couldn't see what I was doing. It was a pleasant surprise when the lights came on and the colors I was blindly grabbing out of my box of pastels were similar to the colors of the lights!

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

He is an unbelievable guitarist and was joined by some equally talented musicians, all from Portland. There was a lot of focus on the instrumentals and a few amazing solos. I love how he is able to incorporate influences from so many decades and genres, making them his own. That's something I aim to do in my own work. After all, it was Picasso who told us that "good artists borrow, great artists steal." 

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Front Row Society x Carly Larsson

Last September I was commissioned by Berlin-based Front Row Society to design and illustrate a fall/winter collection of 10 scarves. When I got the job, I had been spending a lot of time drawing in the Brooklyn Botanic Garden's Japanese Hill and Pond Garden. I was feeling really inspired by Japanese art & culture. So I started researching winter activities in Japan. I found out about these amazing ice festivals they have, where massive, intricate ice sculptures are carved and illuminated with multi-colored lights. I decided this would be the theme for my collection. The colored lights inspired the color palette, while the sculptures of symbolic animals informed each design. Here are some of my early thumbnails:

© Carly Larsson 2014.

© Carly Larsson 2014.

Below is the crab design in its final form.  Click here to view the final illustrations + lookbook (shot by Grey Stanton), and here shop the collection.

© Grey Stanton 2015

© Grey Stanton 2015

 

 

Happy Birthday, Melville!

In this same New Bedford there stands a Whaleman’s Chapel, and few are the moody fishermen, shortly bound for the Indian Ocean or Pacific, who fail to make a Sunday visit to the spot.
— Herman Melville, "Moby Dick"

In honor of Herman Melville's birthday today, here's a drawing I did last summer of the Whaleman's Chapel (aka the Seamen's Bethel) from Melville's Moby Dick. The Seamen's Bethel was built in 1832 as a nondemoninational church for the many whalemen to whom New Bedford was home port. It was tradition that one would visit the bethel at least once before setting out to sea. Melville himself came to New Bedford in December of 1840 and stayed until January the next year, attending many services here. 

Bethesda Fountain

Well, my daily blogging has officially become a thing of the past. Due to this hectic thing called life, I'm afraid I must slow the posts to a minimum of one per week. Monday I visited Central Park with my friend Audrey to draw at the Bethesda Fountain. There is so much going on in the park. While we drew, there was an opera singer performing behind us, and at least three pairs of models/photographers doing their thing. When I first arrived, there was a guy in a spiffy suit and nifty red socks playing the saxophone, but the opera performance behind us was apparently too much competition for him and, regrettably, he left before I had the chance to draw him. 

The Bethesda Fountain in Central Park NYC © Carly Larsson 2014

The Bethesda Fountain in Central Park NYC © Carly Larsson 2014

The fountain sculpture was designed by Emma Stebbins in 1868. Stebbins was the first woman to receive a commission for a major public work of art in NYC. Pretty cool! The sculpture is also known as "Angel of the Waters" and refers to the Gospel of John where an angel blesses the pool of Bethesda, giving it healing powers. The four cherubs below the angel are supposed to represent temperance, purity, health and peace. I can get behind three of those symbols (hint: none of them are temperance). 

The Charles W. Morgan in Boston

As I've mentioned, I spent the summer with Dalvero Academy doing a reportage project on the Charles W. Morgan, the world's last wooden whaling ship. I really need to go through all my drawings so I can do a more in-depth blog post about the events, but for now here's a quick one of the Morgan docked at the Charlestown Navy Yard in Boston this past July.

The Charles W. Morgan docked in Boston MA at the Charlestown Navy Yard, July 2014 © Carly Larsson

The Charles W. Morgan docked in Boston MA at the Charlestown Navy Yard, July 2014 © Carly Larsson

My friend Despina just shared her gorgeous drawings of the Morgan's return to Mystic Seaport, CT. Can't wait to share mine from that day - coming soon!   

Inside the Prison Ship Martyr's Monument

The Prison Ship Martyr's Monument is a memorial to the 11,500 American soldiers who died in captivity aboard 16 British prison ships in Wallabout Bay during the American Revolutionary War.  The history of the monument is really quite complex, but I'll try to sum it up. Remains of some of the soldiers who died aboard the ships were initially interred near the Brooklyn Navy Yard (Vinegar Hill) in 1808, but moved and re-interred in 1873 beneath a small monument in what is now Fort Greene Park. Funds were then raised for a larger monument designed by Stanford White. The monument is a granite Doric column 149 ft high, and at the top of the column sits an eight-ton bronze brazier (funeral urn) by the sculptor Adolf Weinman. 

Inside the Prison Ship Martyr's Monument, looking up © Carly Larsson 2014

Inside the Prison Ship Martyr's Monument, looking up © Carly Larsson 2014

The monument is rarely opened, but last Sunday it was open to the public and I had the opportunity to go inside for a few minutes and do a quick drawing (I got there just as they were closing it up). Apparently there used to be a spiral staircase leading to the top of the monument and visitors could pay to climb up and see the views of Manhattan, but now there's just a rusty ladder that looks like it might crumble if touched lightly. On the concrete floor there is a copper door leading to the crypt below (the crypt was not open).  Unfortunately I was rushed out before I had a chance to draw it. 

View of the monument from outside © Carly Larsson 2014

View of the monument from outside © Carly Larsson 2014

Fort Greene Park actually used to be Fort Putnam under the supervision of General Nathanael Greene during the Revolutionary War (1776) because it is one of the highest points in Brooklyn. It housed six eighteen-pound cannons and was the largest fort on Long Island. The fort was later renamed after Greene.

Marsh Landscape

Here's another landscape painting I did while home on Cape Cod in September just as the colors began to change.