M. Ward at Revolution Hall

I'm slowly getting back into the swing of things after an intense few months of traveling (and moving). This summer we spent some time with my parents on Cape Cod, visited friends in Boston, then flew to Westport Ireland. Shortly after returning from Ireland, we set out on a cross-country drive to Portland OR, where we now reside. Leaving Brooklyn was a difficult decision and continues to be an adjustment, but there's a lot to love about Portland. 

Portland Japanese Garden © Carly Larsson 2016

Portland Japanese Garden © Carly Larsson 2016

Last weekend was a milestone birthday for me, so Saturday we checked out the Portland Japanese Garden and had dinner at Bamboo Sushi (amazing), then saw M. Ward perform at Revolution Hall on Sunday. Above are the two drawings I got in at the garden before they told me I could not use ink or COLORS? I was going to buy a membership because the BBG's Japanese Garden was one of my absolute favorite places to draw, but this was a huge bummer so I didn't. 

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Sunday we saw M. Ward at Revolution Hall, which is in an old high school auditorium (formerly Washington High School, built in 1906). There was no photography per the request of the artist, and it was really nice to be at a show where everyone was present, watching the show, and nobody was on their phones the whole time (honestly, when does anyone actually watch those iPhone videos they spend entire concerts filming?) Luckily, drawing was permitted, *unlike* at the aforementioned garden (can you tell I'm not over it?) A band called Telekinesis, pictured above, opened. They had maracas and got people dancing, which made drawing them great way to warm up.  

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

When M. Ward came on I was surprised how different he sounded live than on his albums. Not in a bad way - it still sounded like him - more in the sense that it felt like he was playing around, improvising and trying new things. I like that. 

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

I was happy he played some older favorites, like Chinese Translation from Post-War (drawing below). He also played a few covers, including Frank Sinatra, Buddy Holly, and John Fahey. I was improvising too, since it was pitch black in there and I couldn't see what I was doing. It was a pleasant surprise when the lights came on and the colors I was blindly grabbing out of my box of pastels were similar to the colors of the lights!

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

He is an unbelievable guitarist and was joined by some equally talented musicians, all from Portland. There was a lot of focus on the instrumentals and a few amazing solos. I love how he is able to incorporate influences from so many decades and genres, making them his own. That's something I aim to do in my own work. After all, it was Picasso who told us that "good artists borrow, great artists steal." 

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Best Dressed at the Met

Getting back into the swing of things after the holidays has proven rather difficult. Yesterday I escaped to the Met for some inspiration & people watching with my friend Audrey. I loved this girl's outfit - double pom pom hat! Oversized fluffy coat! Socks over tights! Yes! I haven't drawn with markers in a while, so it was a fun opportunity to play. 

Double pom-pom hat girl © Carly Larsson 2015 

Double pom-pom hat girl © Carly Larsson 2015 

Berkshires Weekend Pt. 2

On Sunday we ordered room service and sprawled out in bed with our breakfast and the NY Times.  Then I started the day with a selfie in my plushy Red Lion Inn bathrobe. 

Sunday morning selfie © Carly Larsson 2015

Sunday morning selfie © Carly Larsson 2015

I was determined to draw some farm animals, so we checked out of the inn and set off for another adventurous day of driving aimlessly down winding back roads. 

Sheep! © Carly Larsson 2015

Sheep! © Carly Larsson 2015

We happened upon these sheep grazing on a hill & pulled over so I could make a quick drawing. Even though the area was pretty desolate, the people in the nearby house did not seem to appreciate us parking out front, so I hurried to capture the fluffy little dudes and we were soon on our way. Coming from NYC where people  live in such close quarters, I have to laugh at how protective country folk can be of their sprawling properties.

Horses huddling for warmth © Carly Larsson 2015

Horses huddling for warmth © Carly Larsson 2015

Next, we found these horses huddled together for warmth in a picturesque field lined with trees and some blue mountains off in the distance. They were all standing together in a clump (probably for warmth) which made them hard to draw or photograph, so, hungry and cold, we headed back to Lee, MA for brunch at our new favorite cafe - appropriately named the Starving Artist Creperie.

 © Carly Larsson 2015

 © Carly Larsson 2015

 Enjoying live music at the Starving Artist Creperie © Carly Larsson 2015

 Enjoying live music at the Starving Artist Creperie © Carly Larsson 2015

We were pleased to discover that there was a musician playing during Sunday brunch. This little kid in his pom-pom monkey hat and his baby sister (in a matching hat) seemed pretty excited about it themselves. 

Guy with commendable mustache getting some work done © Carly Larsson 2015

Guy with commendable mustache getting some work done © Carly Larsson 2015

Grey reading the NY Times on his phone while I take too long to finish my lunch because of drawing everyone © Carly Larsson 2015

Grey reading the NY Times on his phone while I take too long to finish my lunch because of drawing everyone © Carly Larsson 2015

Then it was back to the road, because we needed to find some more lively animals! Luckily, it didn't take too long to stumble upon a dairy farm. The cows were so cute and curious! 

2015.11.29 Cows 1.jpg

I got a little nervous, as one by one they approached the gate and started poking their heads out like they were trying to make a break for it.  They made quite the ruckus, mooing and ramming themselves into the gate. Fearing an angry farmer would soon make an appearance, we set out in search of some more animated horses than the duds we'd encountered earlier. 

These guys fit the bill! It was freezing, so we pulled over and I made a few paintings from the passenger's seat.  While I was working on this one, a cop came by and peered quizzically in the window. Once he realized what I was doing, he lightened up and asked us to pull farther to the side of the "busy road." Again, coming from NYC, I couldn't help laughing - in the past fifteen minutes, we had seen no more than one truck amble by. 

Grazing horses - much livelier than the duds in the other field © Carly Larsson 2015

Grazing horses - much livelier than the duds in the other field © Carly Larsson 2015

Brooklyn Museum

A few months ago I visited the Brooklyn Museum with my friend Audrey to do some drawing at the Killer Heels exhibit. At closing time I sat and drew some of the people leaving the museum while I waited for my ride. Here are a couple of shoe and people portraits!

Halloween 313's Nightmare on Clinton Avenue

This year marked the 20th anniversary of the Halloween 313 performances on Clinton Avenue. Coinciding with the Society for Clinton Hill's Annual Halloween Walk, every year on Halloween crowds gather outside 313 Clinton Avenue (home of Janna Kennedy, "the Halloween Lady") for free live performances. The performances are put together by an incredibly talented and dedicated group of volunteers including professional actors, producers, designers and artists from around Clinton Hill and Fort Greene. This year I was invited to draw inside the spooky parlor and also had the opportunity to draw the performances. 

Decorations inside the parlor of Halloween 313 

Decorations inside the parlor of Halloween 313 

The set of Halloween 313's 2014 performance "Nightmare on Clinton Avenue"

The set of Halloween 313's 2014 performance "Nightmare on Clinton Avenue"

This year's performance was entitled "Nightmare on Clinton Avenue," and is set in "Clinton Hell." Two neighbors, Kat and Thomas wander by the spooky old mansion discussing rumors that it used to be an insane asylum for axe murderers. Legend has it that the proprietor of the house forces the inmates to perform variety shows every year on Halloween.  Thomas dismisses the rumors as hearsay just as the warden of the asylum, Anesthesia Hangbody, appears and kidnaps him.

Kat and Thomas encounter Anesthesia Hangbody © Carly Larsson 2014

Kat and Thomas encounter Anesthesia Hangbody © Carly Larsson 2014

Kat approaches some police officers seeking help in rescuing her fiancée Thomas from Ms. Hangbody, but they report that no one has lived in that old house for years, and are utterly useless in helping her.

The police are useless in helping Kat © Carly Larsson 2014

The police are useless in helping Kat © Carly Larsson 2014

With nowhere else to turn, Kat seeks help from a haunted painting of a man Anesthesia Hangbody formerly abducted.

Eventually, Kat takes matters into her own hands and fights off Anesthesia Hangbody with a little help from the asylum inmates and the talking painting, all of whom are tired of Ms. Hangbody's abuse.

Kat engages in hand-to-hand combat with Anesthesia Hangbody.

Kat engages in hand-to-hand combat with Anesthesia Hangbody.

Some of the asylum inmates. 

Some of the asylum inmates. 

More asylum inmates, and Thomas in the back.

More asylum inmates, and Thomas in the back.

With a fiery pyrotechnic show, the haunted painting and the inmates finish off Anesthesia Hangbody once and for all. Then Thomas, Kat and the inmates celebrate as the former Ms. Hangbody's portrait is added to the wall.  

A pyrotechnics show signifies that the inmates are tired of Anesthesia Hangbody's mistreatment

A pyrotechnics show signifies that the inmates are tired of Anesthesia Hangbody's mistreatment

Charlotta Janssen puts the finishing touches on the painting of Anesthesia Hangbody while the inmates applaud.

Charlotta Janssen puts the finishing touches on the painting of Anesthesia Hangbody while the inmates applaud.

After the portrait of the newly deceased Anesthesia Hangbody has been added to the wall

After the portrait of the newly deceased Anesthesia Hangbody has been added to the wall

It was a great show and such a privilege to hang out with the incredibly talented cast and crew afterward! There are a few more drawings I decided to rework a bit after scanning, so stay tuned for more drawings from Halloween 313.

Shapely Lady

I saw this lady leaning against the traffic light across the street the other day. Her silhouette made such a great shape, I grabbed the nearest drawing implement and captured her! I think she saw me staring at her out the window because she moved away pretty quickly.

DUMBO Arts Festival

This past weekend was the annual DUMBO Arts Festival in Brooklyn. After 4 years living in Brooklyn and never having gone, I decided it was due time to check it out. 

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

There was so much to look at and so many people everywhere that it was a bit overwhelming at first, and I must admit I spent more time wandering around with my mouth hanging open than actually drawing. One of the first things I stopped to see was "Circle Circus" by Saul Schisler, an interactive sculpture consisting of an oversized spirograph accompanied by giant pencils. Both kids and adults were having a blast trying to operate the mechanism, and I heard a few people say they had a difficult time using the giant pencil. 

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

While I was drawing one guy told me he'd be more impressed if I was using a giant pencil. Unfortunately, I didn't have a large enough sketchbook for that (and also, random man, this may be shocking- but I was not there to impress you). 

The Eat Morris food truck on Water Street, DUMBO. © Carly Larsson 2014

The Eat Morris food truck on Water Street, DUMBO. © Carly Larsson 2014

After watching and drawing the Circle Circus for a while, my friend Betsy was hungry so we decided to check out the many food trucks lining Water Street. The lines were pretty long, so instead of waiting I snacked on some almonds and drew. The drawing above is of the Eat Morris truck which serves fancy grilled cheese. It smelled awesome and I learned later that they do gluten-free too.

Jumbo DUMBO Puppy sculpture by Shinji Murakami. © Carly Larsson 2014

Jumbo DUMBO Puppy sculpture by Shinji Murakami. © Carly Larsson 2014

Next stop was the Jumbo DUMBO Puppy, a huge sculpture by Shinji Murakami made out of cardboard boxes! To be perfectly honest, I wasn't 100% sold on going to the festival until I saw the Jumbo DUMBO Puppy online. It just seemed so goofy, and how can you NOT want to go draw an enormous puppy made out of cardboard boxes!? I was very tempted to draw on it, but alas it was not an interactive sculpture and I figured that would be frowned upon. 

Reflection / Kolonihavehus by Tom Fruin and CoreAct. © Carly Larsson 2014

Reflection / Kolonihavehus by Tom Fruin and CoreAct. © Carly Larsson 2014

Last stop was Reflection / Kolonihavehus by Tom Fruin and CoreAct. This one could be experienced both as a sculpture and a piece of performance art; there were 5 performances inside of it. The audience was invited to wander in and out of the piece as they liked. It drew a lot of attention as it was right on the main walkway of the Brooklyn Bridge Park.  Overall it was a good time - of all places I've drawn in public, I seemed to attract the least weird looks at the DUMBO Arts Festival :P Can't wait to go back next year!