M. Ward at Revolution Hall

I'm slowly getting back into the swing of things after an intense few months of traveling (and moving). This summer we spent some time with my parents on Cape Cod, visited friends in Boston, then flew to Westport Ireland. Shortly after returning from Ireland, we set out on a cross-country drive to Portland OR, where we now reside. Leaving Brooklyn was a difficult decision and continues to be an adjustment, but there's a lot to love about Portland. 

Portland Japanese Garden © Carly Larsson 2016

Portland Japanese Garden © Carly Larsson 2016

Last weekend was a milestone birthday for me, so Saturday we checked out the Portland Japanese Garden and had dinner at Bamboo Sushi (amazing), then saw M. Ward perform at Revolution Hall on Sunday. Above are the two drawings I got in at the garden before they told me I could not use ink or COLORS? I was going to buy a membership because the BBG's Japanese Garden was one of my absolute favorite places to draw, but this was a huge bummer so I didn't. 

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Sunday we saw M. Ward at Revolution Hall, which is in an old high school auditorium (formerly Washington High School, built in 1906). There was no photography per the request of the artist, and it was really nice to be at a show where everyone was present, watching the show, and nobody was on their phones the whole time (honestly, when does anyone actually watch those iPhone videos they spend entire concerts filming?) Luckily, drawing was permitted, *unlike* at the aforementioned garden (can you tell I'm not over it?) A band called Telekinesis, pictured above, opened. They had maracas and got people dancing, which made drawing them great way to warm up.  

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

When M. Ward came on I was surprised how different he sounded live than on his albums. Not in a bad way - it still sounded like him - more in the sense that it felt like he was playing around, improvising and trying new things. I like that. 

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

I was happy he played some older favorites, like Chinese Translation from Post-War (drawing below). He also played a few covers, including Frank Sinatra, Buddy Holly, and John Fahey. I was improvising too, since it was pitch black in there and I couldn't see what I was doing. It was a pleasant surprise when the lights came on and the colors I was blindly grabbing out of my box of pastels were similar to the colors of the lights!

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

He is an unbelievable guitarist and was joined by some equally talented musicians, all from Portland. There was a lot of focus on the instrumentals and a few amazing solos. I love how he is able to incorporate influences from so many decades and genres, making them his own. That's something I aim to do in my own work. After all, it was Picasso who told us that "good artists borrow, great artists steal." 

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Rockefeller Center Christmas

Last December I ventured to Rockefeller Center with Audrey Hawkins to draw the skaters in the midst of the Manhattan Christmas melee. Unlike this year's balmy December weather (reported high of 66˙ today in NYC) last year was much less forgiving. The drawing below was completed in a race against time as my fingers slowly froze, and tourists jostled for a prime selfie spot in  front of the tree.

rockefeller center christmas tree

Once I got the money shot, it was way too cold to continue drawing outside. We ventured downstairs, to an area outside the rink's "VIP Hot Chocolate Lounge," where there are tables - and, most importantly, a Starbucks.

rockefeller center ice skaters nyc
Lacing up to go on the ice in the "VIP Hot Chocolate Lounge"

Lacing up to go on the ice in the "VIP Hot Chocolate Lounge"

rockefeller center skaters

 It was fun to watch and draw the skaters bumble and tumble around. Most were fairly inexperienced, with the occasional seasoned skater twirling and leaping through the crowd.

ice skaters at rockefeller center

Labor Day

© Carly Larsson 2015

© Carly Larsson 2015

Happy Labor Day! This summer flew by, and was a busy one for me. While I didn't get much  vacation time this year, I'm grateful to have had a few opportunities to slow down and do some drawing just for me. Here's a quick sunset painting from early August, at one of my favorite spots in Pocasset, on Cape Cod MA, where I grew up. 

The Corwith Cramer at Brooklyn Bridge Park

This past May, I spent the afternoon with my friend Audrey Hawkins drawing The Corwith Cramer in Brooklyn Bridge Park. (See Audrey's drawings from this day here). The Corwith Cramer is a 134-foot two-masted brigantine owned and operated by the Sea Education Association (SEA) out of Woods Hole, MA, just a few towns over from where I grew up on Cape Cod. 

carlylarsson_corwithcramer_brooklyn
Photograph © Etienne Frossard 2015

Photograph © Etienne Frossard 2015

The ship serves as a floating lab, classroom, and office for students and researchers. This particular crew was returning from a five-week voyage studying biodiversity and conservation of the Sargasso Sea region. The ship's arrival in Brooklyn marked the end of the voyage, which began April 20 in San Juan Puerto Rico. 

While we were drawing, Etienne Frossard, photographer for the Brooklyn Bridge Park, snapped our photo.

Halloween 313's Nightmare on Clinton Avenue

This year marked the 20th anniversary of the Halloween 313 performances on Clinton Avenue. Coinciding with the Society for Clinton Hill's Annual Halloween Walk, every year on Halloween crowds gather outside 313 Clinton Avenue (home of Janna Kennedy, "the Halloween Lady") for free live performances. The performances are put together by an incredibly talented and dedicated group of volunteers including professional actors, producers, designers and artists from around Clinton Hill and Fort Greene. This year I was invited to draw inside the spooky parlor and also had the opportunity to draw the performances. 

Decorations inside the parlor of Halloween 313 

Decorations inside the parlor of Halloween 313 

The set of Halloween 313's 2014 performance "Nightmare on Clinton Avenue"

The set of Halloween 313's 2014 performance "Nightmare on Clinton Avenue"

This year's performance was entitled "Nightmare on Clinton Avenue," and is set in "Clinton Hell." Two neighbors, Kat and Thomas wander by the spooky old mansion discussing rumors that it used to be an insane asylum for axe murderers. Legend has it that the proprietor of the house forces the inmates to perform variety shows every year on Halloween.  Thomas dismisses the rumors as hearsay just as the warden of the asylum, Anesthesia Hangbody, appears and kidnaps him.

Kat and Thomas encounter Anesthesia Hangbody © Carly Larsson 2014

Kat and Thomas encounter Anesthesia Hangbody © Carly Larsson 2014

Kat approaches some police officers seeking help in rescuing her fiancée Thomas from Ms. Hangbody, but they report that no one has lived in that old house for years, and are utterly useless in helping her.

The police are useless in helping Kat © Carly Larsson 2014

The police are useless in helping Kat © Carly Larsson 2014

With nowhere else to turn, Kat seeks help from a haunted painting of a man Anesthesia Hangbody formerly abducted.

Eventually, Kat takes matters into her own hands and fights off Anesthesia Hangbody with a little help from the asylum inmates and the talking painting, all of whom are tired of Ms. Hangbody's abuse.

Kat engages in hand-to-hand combat with Anesthesia Hangbody.

Kat engages in hand-to-hand combat with Anesthesia Hangbody.

Some of the asylum inmates. 

Some of the asylum inmates. 

More asylum inmates, and Thomas in the back.

More asylum inmates, and Thomas in the back.

With a fiery pyrotechnic show, the haunted painting and the inmates finish off Anesthesia Hangbody once and for all. Then Thomas, Kat and the inmates celebrate as the former Ms. Hangbody's portrait is added to the wall.  

A pyrotechnics show signifies that the inmates are tired of Anesthesia Hangbody's mistreatment

A pyrotechnics show signifies that the inmates are tired of Anesthesia Hangbody's mistreatment

Charlotta Janssen puts the finishing touches on the painting of Anesthesia Hangbody while the inmates applaud.

Charlotta Janssen puts the finishing touches on the painting of Anesthesia Hangbody while the inmates applaud.

After the portrait of the newly deceased Anesthesia Hangbody has been added to the wall

After the portrait of the newly deceased Anesthesia Hangbody has been added to the wall

It was a great show and such a privilege to hang out with the incredibly talented cast and crew afterward! There are a few more drawings I decided to rework a bit after scanning, so stay tuned for more drawings from Halloween 313.

Paul Revere's House

Over the summer I visited Boston with Dalvero Academy as part of our project following the Charles W. Morgan on her 38th Voyage. One of the places we visited while there was Paul Revere's house at 19 North Square in the North End. Revere owned the home from 1770-1800, where he lived with his second wife Rachel Walker, their 8 children, and his wife's mother (he already had 8 from his previous marriage to Sarah Orne! And the house only had 4 rooms! Can you say nightmare?)

Facade of the Paul Revere House in Boston's North End. © Carly Larsson 2014.

Facade of the Paul Revere House in Boston's North End. © Carly Larsson 2014.

The windows were made with manganese oxide which changes color in the sunlight. People in the 1800s saw this as a defect but I thought it was beautiful! © Carly Larsson 2014

The windows were made with manganese oxide which changes color in the sunlight. People in the 1800s saw this as a defect but I thought it was beautiful! © Carly Larsson 2014

While most of us know Paul Revere for his activity in the Revolutionary War, he was a gold and silversmith, a trade he learned from his father. He also worked as a copperplate engraver during the pre-Revolution depression, and moonlighted as a dentist from 1768-1775, cleaning teeth and wiring false teeth made from walrus ivory or other animal bones. After the Revolutionary War, Revere opened a foundry and supplied bolts, spikes and nails for North End shipyards (including brass fittings for the U.S.S. Constitution), produced cannons, cast bells, and opened the first copper-rolling mill in North America in 1801 where he provided copper sheeting for the hull of the U.S.S. Constitution and the dome of the Massachusetts State House. I was surprised by how much Paul Revere accomplished in his lifetime, how many different things he did, and how little I knew about much of it!      

900 lb bronze bell cast in 1804 by the Paul Revere & Son foundry. On display in the courtyard of the Paul Revere House in Boston's North End. © Carly Larsson 2014

900 lb bronze bell cast in 1804 by the Paul Revere & Son foundry. On display in the courtyard of the Paul Revere House in Boston's North End. © Carly Larsson 2014

DUMBO Arts Festival

This past weekend was the annual DUMBO Arts Festival in Brooklyn. After 4 years living in Brooklyn and never having gone, I decided it was due time to check it out. 

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

There was so much to look at and so many people everywhere that it was a bit overwhelming at first, and I must admit I spent more time wandering around with my mouth hanging open than actually drawing. One of the first things I stopped to see was "Circle Circus" by Saul Schisler, an interactive sculpture consisting of an oversized spirograph accompanied by giant pencils. Both kids and adults were having a blast trying to operate the mechanism, and I heard a few people say they had a difficult time using the giant pencil. 

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

"Circle Circus" an interactive sculpture by Saul Schisler. © Carly Larsson 2014

While I was drawing one guy told me he'd be more impressed if I was using a giant pencil. Unfortunately, I didn't have a large enough sketchbook for that (and also, random man, this may be shocking- but I was not there to impress you). 

The Eat Morris food truck on Water Street, DUMBO. © Carly Larsson 2014

The Eat Morris food truck on Water Street, DUMBO. © Carly Larsson 2014

After watching and drawing the Circle Circus for a while, my friend Betsy was hungry so we decided to check out the many food trucks lining Water Street. The lines were pretty long, so instead of waiting I snacked on some almonds and drew. The drawing above is of the Eat Morris truck which serves fancy grilled cheese. It smelled awesome and I learned later that they do gluten-free too.

Jumbo DUMBO Puppy sculpture by Shinji Murakami. © Carly Larsson 2014

Jumbo DUMBO Puppy sculpture by Shinji Murakami. © Carly Larsson 2014

Next stop was the Jumbo DUMBO Puppy, a huge sculpture by Shinji Murakami made out of cardboard boxes! To be perfectly honest, I wasn't 100% sold on going to the festival until I saw the Jumbo DUMBO Puppy online. It just seemed so goofy, and how can you NOT want to go draw an enormous puppy made out of cardboard boxes!? I was very tempted to draw on it, but alas it was not an interactive sculpture and I figured that would be frowned upon. 

Reflection / Kolonihavehus by Tom Fruin and CoreAct. © Carly Larsson 2014

Reflection / Kolonihavehus by Tom Fruin and CoreAct. © Carly Larsson 2014

Last stop was Reflection / Kolonihavehus by Tom Fruin and CoreAct. This one could be experienced both as a sculpture and a piece of performance art; there were 5 performances inside of it. The audience was invited to wander in and out of the piece as they liked. It drew a lot of attention as it was right on the main walkway of the Brooklyn Bridge Park.  Overall it was a good time - of all places I've drawn in public, I seemed to attract the least weird looks at the DUMBO Arts Festival :P Can't wait to go back next year!

The Duffield Street Houses

This past March I learned about the case of the Duffield Street homes in downtown Brooklyn and was compelled to honor their history with a drawing before they are eradicated by the city. The whole row of historic wood-frame houses on Duffield Street are believed to have played an integral part in the Underground Railroad, and many of them have already been demolished. 

227duffieldst

Previous owners of 227 Duffield Street, Harriet and Thomas Truesdell, were known abolitionists who worked with the likes of William Lloyd Garrison and Henry Ward Beecher. There is a sealed off tunnel in the basement of 227 Duffield Street which is believed to be a part of the Underground Railroad. Regardless of a plethora of evidence indicating that 227 Duffield Street and the surrounding homes were an integral part of the Underground Railroad, the city denies that the buildings should be landmarked and the Economic Development Plan (EDC) plans to use eminent domain to knock them down and build a park, two luxury hotels and an underground parking garage - just what we need. The fight to save the Duffield Street homes is still ongoing, and you can learn more about it here.

One if by Land, Two if by Sea

I recently spent a week in Boston with Dalvero Academy, and one of the locations we visited was the Old North Church. The church was founded in 1722, making it Boston's oldest surviving church building. It is most known for its role in the beginning of the American Revolution. On the evening of April 18 1775, Robert Newman and Capt. John Pulling Jr. climbed the steeple and held up two lanterns as a signal from Paul Revere to warn patriots in Charlestown that the British were arriving by sea across the Charles River and would soon be marching to Lexington and Concord. Here are a couple drawings I made of the steeple!