M. Ward at Revolution Hall

I'm slowly getting back into the swing of things after an intense few months of traveling (and moving). This summer we spent some time with my parents on Cape Cod, visited friends in Boston, then flew to Westport Ireland. Shortly after returning from Ireland, we set out on a cross-country drive to Portland OR, where we now reside. Leaving Brooklyn was a difficult decision and continues to be an adjustment, but there's a lot to love about Portland. 

Portland Japanese Garden © Carly Larsson 2016

Portland Japanese Garden © Carly Larsson 2016

Last weekend was a milestone birthday for me, so Saturday we checked out the Portland Japanese Garden and had dinner at Bamboo Sushi (amazing), then saw M. Ward perform at Revolution Hall on Sunday. Above are the two drawings I got in at the garden before they told me I could not use ink or COLORS? I was going to buy a membership because the BBG's Japanese Garden was one of my absolute favorite places to draw, but this was a huge bummer so I didn't. 

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Telekenesis opening for M. Ward at Revolution Hall © Carly Larsson 2016

Sunday we saw M. Ward at Revolution Hall, which is in an old high school auditorium (formerly Washington High School, built in 1906). There was no photography per the request of the artist, and it was really nice to be at a show where everyone was present, watching the show, and nobody was on their phones the whole time (honestly, when does anyone actually watch those iPhone videos they spend entire concerts filming?) Luckily, drawing was permitted, *unlike* at the aforementioned garden (can you tell I'm not over it?) A band called Telekinesis, pictured above, opened. They had maracas and got people dancing, which made drawing them great way to warm up.  

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

When M. Ward came on I was surprised how different he sounded live than on his albums. Not in a bad way - it still sounded like him - more in the sense that it felt like he was playing around, improvising and trying new things. I like that. 

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

M. Ward & his fluffy-haired bassist at Revolution Hall © Carly Larsson 2016

I was happy he played some older favorites, like Chinese Translation from Post-War (drawing below). He also played a few covers, including Frank Sinatra, Buddy Holly, and John Fahey. I was improvising too, since it was pitch black in there and I couldn't see what I was doing. It was a pleasant surprise when the lights came on and the colors I was blindly grabbing out of my box of pastels were similar to the colors of the lights!

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

He is an unbelievable guitarist and was joined by some equally talented musicians, all from Portland. There was a lot of focus on the instrumentals and a few amazing solos. I love how he is able to incorporate influences from so many decades and genres, making them his own. That's something I aim to do in my own work. After all, it was Picasso who told us that "good artists borrow, great artists steal." 

M. Ward at Revolution Hall © Carly Larsson 2016

M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Drummer for M. Ward at Revolution Hall © Carly Larsson 2016

Front Row Society x Carly Larsson

Last September I was commissioned by Berlin-based Front Row Society to design and illustrate a fall/winter collection of 10 scarves. When I got the job, I had been spending a lot of time drawing in the Brooklyn Botanic Garden's Japanese Hill and Pond Garden. I was feeling really inspired by Japanese art & culture. So I started researching winter activities in Japan. I found out about these amazing ice festivals they have, where massive, intricate ice sculptures are carved and illuminated with multi-colored lights. I decided this would be the theme for my collection. The colored lights inspired the color palette, while the sculptures of symbolic animals informed each design. Here are some of my early thumbnails:

© Carly Larsson 2014.

© Carly Larsson 2014.

Below is the crab design in its final form.  Click here to view the final illustrations + lookbook (shot by Grey Stanton), and here shop the collection.

© Grey Stanton 2015

© Grey Stanton 2015

 

 

Montefioralle Winery

Wishing a very happy anniversary to friends Jenn + Nick Vigliotti! I am honored to have been commissioned by Nick to do this piece for their first anniversary. It is based off a photo taken on their honeymoon at Montefioralle Winery in the village of Greve in Chianti, Italy. Apparently this winery has a painting contest every year - artists meet at the winery, partake in a complementary wine tasting, and spend the day painting the premises. Winners receive cases of wine and their work reproduced on a limited edition bottle. I know where I'm going on my next vacation! 

Labor Day

© Carly Larsson 2015

© Carly Larsson 2015

Happy Labor Day! This summer flew by, and was a busy one for me. While I didn't get much  vacation time this year, I'm grateful to have had a few opportunities to slow down and do some drawing just for me. Here's a quick sunset painting from early August, at one of my favorite spots in Pocasset, on Cape Cod MA, where I grew up. 

The Corwith Cramer at Brooklyn Bridge Park

This past May, I spent the afternoon with my friend Audrey Hawkins drawing The Corwith Cramer in Brooklyn Bridge Park. (See Audrey's drawings from this day here). The Corwith Cramer is a 134-foot two-masted brigantine owned and operated by the Sea Education Association (SEA) out of Woods Hole, MA, just a few towns over from where I grew up on Cape Cod. 

carlylarsson_corwithcramer_brooklyn
Photograph © Etienne Frossard 2015

Photograph © Etienne Frossard 2015

The ship serves as a floating lab, classroom, and office for students and researchers. This particular crew was returning from a five-week voyage studying biodiversity and conservation of the Sargasso Sea region. The ship's arrival in Brooklyn marked the end of the voyage, which began April 20 in San Juan Puerto Rico. 

While we were drawing, Etienne Frossard, photographer for the Brooklyn Bridge Park, snapped our photo.

Leaf Prints

Since it is now officially December, I think it's past time I shared some leaf prints I did this fall! They are mainly watercolor, with some gouache, inks and a little collage. I've done my best to identify all the leaves, but I'm no pro so please correct me if I've gotten any wrong! :)

Black ash and honeylocust leaves. Watercolor, gouache and collage on Canson 150lb illustration paper. © Carly Larsson 2014

Black ash and honeylocust leaves. Watercolor, gouache and collage on Canson 150lb illustration paper. © Carly Larsson 2014

Black ash and honeylocust leaves, watercolor on Canson 98lb mixed media paper. © Carly Larsson 2014.

Black ash and honeylocust leaves, watercolor on Canson 98lb mixed media paper. © Carly Larsson 2014.

Honeylocust, sugar maple, American linden, and ginko biloba leaves. Watercolor on Canson 150lb illustration paper. © Carly Larsson 2014.

Honeylocust, sugar maple, American linden, and ginko biloba leaves. Watercolor on Canson 150lb illustration paper. © Carly Larsson 2014.

Scarlet oak leaves, watercolor and gouache on Arches cold press 140lb watercolor paper. © Carly Larsson 2014.

Scarlet oak leaves, watercolor and gouache on Arches cold press 140lb watercolor paper. © Carly Larsson 2014.

The Charles W. Morgan in Boston

As I've mentioned, I spent the summer with Dalvero Academy doing a reportage project on the Charles W. Morgan, the world's last wooden whaling ship. I really need to go through all my drawings so I can do a more in-depth blog post about the events, but for now here's a quick one of the Morgan docked at the Charlestown Navy Yard in Boston this past July.

The Charles W. Morgan docked in Boston MA at the Charlestown Navy Yard, July 2014 © Carly Larsson

The Charles W. Morgan docked in Boston MA at the Charlestown Navy Yard, July 2014 © Carly Larsson

My friend Despina just shared her gorgeous drawings of the Morgan's return to Mystic Seaport, CT. Can't wait to share mine from that day - coming soon!   

Cape Cod Landscape

Late posting today - it's going to be tough to keep up this week as I'm working towards a deadline. So here's the first of a series of short & sweet posts! There are a lot of these landscapes, but you just get one for now ;) This was done at the beach on Cape Cod just as the fall colors began to show. That's a big beautiful piece of driftwood that I'm obsessed with in the middle. Surprisingly this is the first painting I've done of it- I've taken about 10,000 photographs.

© Carly Larsson 2014

© Carly Larsson 2014

Houseplants

Some studies of my parents' houseplants from a rainy Labor Day - soon to be a new pattern! I'm so drawn to houseplants (no pun intended), probably because I can't have any of my own (our cat eats them). I'd be more specific about the types of plants these are, but to be honest I have no idea. When I texted my mom to ask, her response was: "I'm not good with plants. That one is already dead. Very happy you captured it in its prime." Haha!